EVERYTHING EVERYWHERE
Unofficial Title Sequence for A24's feature film "Everything Everywhere All At Once".
Unofficial Title Sequence for A24's feature film "Everything Everywhere All At Once".
Concept
Concept
Concept
/// Inspired by the mind-bending visuals and storytelling of "Everything Everywhere All At Once," I set out to create a title sequence that would capture the essence of the film’s multiverse narrative. The goal was to immerse the audience in a visually stunning and conceptually rich introduction that reflected the film's exploration of parallel dimensions and interconnected realities.
/// Inspired by the mind-bending visuals and storytelling of "Everything Everywhere All At Once," I set out to create a title sequence that would capture the essence of the film’s multiverse narrative. The goal was to immerse the audience in a visually stunning and conceptually rich introduction that reflected the film's exploration of parallel dimensions and interconnected realities.
Development / Production
Development / Production
Development / Production
/// The development phase began with extensive research into the film’s visual language and thematic elements. I analyzed the color palettes, motion styles, and symbolic imagery used throughout the movie. This research informed the creation of a rough storyboard that mapped out the sequence of visuals, transitions, and typography.
For the production, I employed a combination of Adobe After Effects for animation, Photoshop for compositing, as well as Adobe Illustrator for asset creation and typography. The process involved:
Designing Elements: Creating visuals that reflect the film’s chaotic yet harmonious blend of different universes, while keeping a retro yet futuristic computer style.
Animation: Developing smooth transitions and simply bringing everything to life.
Typography: Integrating dynamic typography that complements the film's eclectic style.
Sound Design: Adding sound bits, apart from the soundtrack, to further immerse audience into the film's universe/s.
/// The development phase began with extensive research into the film’s visual language and thematic elements. I analyzed the color palettes, motion styles, and symbolic imagery used throughout the movie. This research informed the creation of a rough storyboard that mapped out the sequence of visuals, transitions, and typography.
For the production, I employed a combination of Adobe After Effects for animation, Photoshop for compositing, as well as Adobe Illustrator for asset creation and typography. The process involved:
Designing Elements: Creating visuals that reflect the film’s chaotic yet harmonious blend of different universes, while keeping a retro yet futuristic computer style.
Animation: Developing smooth transitions and simply bringing everything to life.
Typography: Integrating dynamic typography that complements the film's eclectic style.
Sound Design: Adding sound bits, apart from the soundtrack, to further immerse audience into the film's universe/s.
RESULT
RESULT
RESULT
/// The final title sequence is a captivating introduction that sets the tone for "Everything Everywhere All At Once," seamlessly blending digital effects, illustrations, and live-action footage to create a captivating and cohesive narrative.
/// The final title sequence is a captivating introduction that sets the tone for "Everything Everywhere All At Once," seamlessly blending digital effects, illustrations, and live-action footage to create a captivating and cohesive narrative.
CREDITS
CREDITS
CREDITS
/// Design, Animation, & Sound Design: Brian Ibarra Morales
/// Design, Animation, & Sound Design: Brian Ibarra Morales
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